Tomorrowland may have taken the top spot at the box office in its debut weekend, but things still look awfully grim for the George Clooney sci-fi vehicle. Not only did the film open far below expectations, it faced serious competition in Pitch Perfect 2, which continued to kick aca-butt in its second weekend. And it wasn’t the only new release to under-perform, with the Poltergeist remake also falling short of early predictions. If you were a new release this weekend, things were awfully rough.
There’s a bizarre narrative floating around the internet: Avengers: Age of Ultron is already a disappointment because it didn’t open higher than The Avengers in its first weekend. This seems to be ignoring the fact that The Avengers had the biggest opening of all time and Avengers: Age of Ultron now has the second biggest opening of all time, which is nothing to scoff at. Sure, the sequel may not match the numbers of the first movie in the end, but it’s already well on the way to becoming one of the biggest movies of the year. And of all time.
At some point, we’re not sure when, Sesame Street stopped being a low-key educational children’s program and started being an educational children’s program that finds time to create internet-friendly parodies of whatever pop culture event is huge in a given week. So yeah, of course the show has made an Avengers-themed sketch and of course it’s called The Aveggies: Age of Bon Bon and of course it recasts Cookie Monster as the Hulk.
The early estimates for the opening weekend gross of Furious 7 are all over the place and we probably won’t have a definitive number until tomorrow, when the dust finally settles and everyone gets a chance to breathe. However, this one thing we know for sure: the seventh film in the Fast and Furious series didn’t just shatter in-franchise records, it shattered records for any April release.
Most of the time, the SNL opening monologue is a formality and a tradition, a road bump on the way to the actual good parts of an episode. It feels like something the guest host does because he has to, not because anyone on the writing staff actually had a good idea. And that’s why last night’s monologue was such a joyous surprise: it was not only the best monologue of the season, but the best sketch of the whole night.
In one of the strongest box office weekends of 2015 so far, both Home and Get Hard opened strong while Insurgent and Cinderella continued to perform well. This was the rare weekend that literally offered something for everyone, with R-rated comedies and animated family fare exceeding expectations.
The Late Late Show With James Corden made its grand debut last night, with seemingly every celebrity in existence popping up to say hello. But for his first official guest, Corden snagged everyone’s favorite actor: the one and only Tom Hanks. More importantly, he got Tom Hanks to get really silly and there are few things better than Hanks throwing caution to the wind and embracing his inner comedian. In this case, he got the two-time Oscar winner to re-enact all of his movies in less than eight minutes.
What does a movie studio want out of its sequels? Is a sequel a failure if it simply matches its predecessor or does it need to make more money? That’s the big question that’s swirling around Insurgent, which made almost exactly as much as Divergent did one year ago. Seriously: there’s only a $500,000 difference in their opening weekends. So is Insurgent a success or a disappointment?
Suddenly, Disney’s upcoming live action version of Beauty and the Beast is looking like a very wise move. After all, their new take on Cinderella shook the box office out of the doldrums, launching with numbers that feel more at home with the summer than March. Yes, it even took down that might spring movie season titan Liam Neeson.
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